6. 渡边信长的《中日战争未来事件记录——北京沦陷和中国将领投降》 高清作品[91%]

A Record of Future Events in the SinoJapanese War The Fall of Beijing and the <em>Surrender</em> of Chinese Generals-

图片文件尺寸 : 5073 x 2539px

渡边信长的《中日战争未来事件记录——北京沦陷和中国将领投降》-Watanabe Nobukazu

A Record of Future Events in the SinoJapanese War The Fall of Beijing and the Surrender of Chinese Generals--Watanabe Nobukazu (Japanese, c. 1872-1944)

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10. 亨利·辛格尔顿《迈索尔苏丹蒂普·萨希布的两个儿子向戴维·贝尔德爵士投降》 高清作品[90%]

The <em>Surrender</em> of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird-

图片文件尺寸 : 4949 x 4042px

亨利·辛格尔顿《迈索尔苏丹蒂普·萨希布的两个儿子向戴维·贝尔德爵士投降》-Henry Singleton

The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird--Henry Singleton (英国, 1766 - 1839)

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11. “1832年11月19日至12月23日的围攻后不久，安特卫普城堡，以及费迪南德·德·布雷克利尔将荷兰加里森投降给法国人 高清作品[80%]

The Citadel of Antwerp shortly after the Siege of 19 November23 December 1832, and the <em>Surrender</em> of the 荷兰 Garisson to the 法国-

图片文件尺寸 : 3940 x 2654px

“1832年11月19日至12月23日的围攻后不久，安特卫普城堡，以及费迪南德·德·布雷克利尔将荷兰加里森投降给法国人-Ferdinand de Braekeleer

The Citadel of Antwerp shortly after the Siege of 19 November23 December 1832, and the Surrender of the 荷兰 Garisson to the 法国--Ferdinand de Braekeleer (比利时, 1792-1883)

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15. 卡拉·阿卡尔迪，当代艺术I 高清作品[42%]

DO-Carla Accardi - 现代艺术 I
图片文件像素：5930 x 4411 px

卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)

Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.

Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982

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